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Roméo Records 7223 |
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WOLFGANG
AMADEUS MOZART
ARIAS
- Exsultate Jubilate
Olga Makarina, soprano Orchestra of the Mikhailovsky M. Mussorgsky Opera and Ballet Theater Andrei Anikhanov, conductor Don Giovanni: "Or sai chi l'onore"; "Crudele? Ah, no mio bene!"; "In quail eccessi…Mi tradi quell'alma ingrata"; Le Nozze di Figaro: "Porgi, amor, qualche ristoro"; "E Susanna non vien!" - "Dove sono"; Die Zauberflöte: "Ach, ich fühl's"; Die Entführung aus dem Serail: "Ach ich liebte, war so glücklich!"; "Welcher Wechsel herrscht in meiner Seele…Traurigkeit ward mir zum Lose"; "Martern aller Arten"; "Vorrei spiegarvi, O Dio" (Concert Aria), K. 418; Exsultate, jubilate, Motet, K. 165 (158a). |
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Born in Archangel, Russia, Metropolitan Opera soprano Olga Makarina, made
her first New York appearances at New York City Opera as Lucia di Lammermoor
and has performed there as Gilda in Rigoletto, Konstanze in Mozart's Abduction
from the Seraglio and Olympia in Les Contes d'Hoffmann. Other roles in
Ms. Makarina's repertoire include Ilia in Idomeneo (Lincoln Center's Mostly
Mozart Festival), Violetta in La Traviata (Kirov Opera) and Eudoxie in
La Juive (Opera Orchestra of New York). Ms. Makarina has also appeared
as Zerbinetta in Ariadne auf Naxos with the Minnesota Orchestra and in
Orff's Carmina Burana as well. Her repertoire at the Metropolitan Opera
during recent seasons has included Gilda, Violetta and Lucia. She also
performed concerts and solo recitals in Tokyo and Nagoya, Japan and debuted
at the National Theater, Prague as Donna Anna and sang the opening night
gala of the Cesky Krumlov Festival with the Brno Philharmonic that was
televised in Eurovision. In recent seasons Olga Makarina added to her
repertory the roles of Desdemona in Verdi's Otello with the National Symphony
of Mexico, at the Macau Festival in the production from Covent Garden
and with the Beijing Philharmonic, Marguerite de Valois in Meyerbeer's
Les Huguenots with the Opera Orchestra of New York at Carnegie Hall and
Micaela in Carmen with the Milwaukee Symphony Orchestra. Her 2001-02 season
included her house debut at the Metropolitan in Ravel's L'Enfant et Les
Sortileges, the title role of Norma with Palm Beach Opera, Violetta in
La Traviata in Mexico, Gilda in Rigoletto in La Palmas and an all Bellini
Concert at the Teatro Liceu in Barcelona. She began her 2002-03 season
singing Imogene in the new production of Il Pirata at the Met to glowing
critical and public acclaim. |
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